The article illustrates the intertextual production of the ethics and apocalypse discourses in order to argue that rather than providing an alternative, the ethical motivation approach in fact (re)produces the assumptions and effects of apocalyptic narratives in a way that sediments a non-relational logic of the ethical subject, in both spatial and temporal terms. of ecological apocalypse narratives on the (re)production of the ethical subject of climate change. This article offers an analysis of the effects. In response, there has been a call for specifically ethical engagement to provide an alternative means of motivation. However, these dire warnings have seemingly been ineffective at motivating action on climate change. The chapters have been organized with the needs of undergraduate students in theoretical linguistics and postgraduate students in applied linguistics in mind.Д¬ontemporary representations of environmental futures often feature apocalyptic scenarios, particularly in film and popular culture. English Text's major contribution is to outline one way in which a rich semantically oriented functional grammar can be systematically related to a theory of discourse semantics, including deconstruction of contextual issues (i.e. The analyses presented were developed within three main theoretical and applied contexts: (i) educational linguistics (especially genre-based literacy programmes) (ii) critical linguistics (as manifested in the development of social semiotics) and (iii) computational linguistics (in dialogue with the various text generation projects based on systemic approaches to grammar and discourse). It has been designed to complement functional grammars of English, building on the generation of discourse analysis inspired by Halliday and Hasan's Cohesion in English. This book is a comprehensive introduction to text forming resources in English, along with practical procedures for analysing English texts and relating them to their contexts of use. This research also develops a meta-language to describe Intersemiotic Cohesive Devices from two complementary perspectives: Intersemiotic Cohesion not only functions to integrate different modes together when multimodal discourse is conceptualized as a finished product, it also constitutes essential text-forming resources for semantic expansions across language and images during the ongoing contextualization of meanings in real time.

A discourse-based model is suggested to analyze imageвЂ“text logical relations complementary to existing grammar-based approaches. The framework is illustrated through examination of print media to demonstrate how the imageвЂ“text relations are meta-functionally orchestrated across experiential, textual and logical meanings at the discourse stratum. Drawing on the interpretation of language as a social semiotic resource, this article proposes Intersemiotic Texture as the crucial property of coherent multimodal texts and presents a preliminary framework for cohesive devices between language and images. Recent research on multimodal discourse has explored the nature of semantic relations between different semiotic resources. We suggest that the framework provides an effective and general foundation for reengaging with visual communicative artefacts in a manner compatible with methods developed for verbal linguistic artefacts. In this paper, we articulate a model of discourse pragmatics that is sufficiently general to apply to the specifics of visually communication information and show this at work with respect to several central aspects of visual narrative. Most importantly, analysis is deprived of effective methodologies for approaching visual artefacts so that it remains unclear what units of analysis should be selected and how they can be combined.

This has limited discussions in several ways. Such approaches have however generally proceeded piecemeal - particular phenomena appearing similar to phenomena in verbal discourse are selected for discussion with insufficient consideration of just what it means to treat visual communication as discourse at all. There have been many attempts to provide accounts of visually expressed narratives by drawing on our understandings of linguistic discourse.

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